Domination in America, Starting from being a Boxing Champion

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Upon arrival in the small seaside town of Cannes, Link rested briefly at the hotel, then followed Director Allen and other main creators to the main venue of the Cannes Film Festival, the 'Palais des Festivals', to attend the film's opening ceremony.

After his acquisition of Lionsgate Films, media from all around the world had reported on the matter. In his twenties, he became the boss of Hollywood's eighth largest production company, which dramatically elevated his status in the film industry.

At the opening ceremony, journalists from various countries surrounded him, throwing one question after another, most of which related to films.

They inquired whether there would be any changes in the style and genre of Lionsgate's future films under his leadership, whether he preferred commercial or art films, what his views were on French cinema, and whether there would be further cooperation.

Gossip journalists also asked if he knew about Marion Cotillard's childbirth news, if he had plans to visit her, and even mentioned rumors that the child was his, asking for his opinion on this scandal.

Besides the media journalists, many filmmakers and film distributors from abroad also sought him out, hoping to strengthen communication and collaboration. This included Belgian directors the Dardenne brothers, Turkish director Nuri Bilge Ceylan, Japanese director Takashi Miike, and Huaxia director Johnnie To, among others.

Link handled the crowd for a while and, when the film was about to start, returned to the front row audience seats to watch the movie.

Director Allen's "Midnight in Paris" generally felt good. The cinematography was beautiful, showing the wonderful aspects of both classical and modern Paris through the film, but the plot was somewhat flat.

It told the story of a modern man dissatisfied with his current life who accidentally gains the ability to time travel. Through his travels, he discovers both the good and bad of past societies and, after comparison, ultimately chooses to remain in the present.

Those familiar with Paris's 'Belle Époque' might adore the film, following the protagonist through the historical Paris.

For those unfamiliar with that period, watching the film might seem boring, with Link's good looks and acting skills being the only attraction.

While watching the movie, Link himself was surprised by the image he portrayed on screen, mainly because he was excessively handsome.

Not just strikingly good-looking, but also radiating a literary, melancholic, and elegant temperament, each movement exuded a unique sense of beauty.

Actors like Sean Penn, Tony Leung, and Nicholas Tse, who are naturally quite handsome—probably a seven or eight out of ten—appear on screen as if they have nine or ten points in terms of attractiveness.

Link, who was already very handsome and well-built, saw his looks and charm double under Director Allen's lens.

Amidst the film, gasps of amazement came from the back row seats, mostly from female fans, exclaiming how incredibly cool he was, "So sexy," like the beautiful Adonis from Ancient Greece.

Gasps and praises abounded, and although Link was quite confident about his appearance, he still felt a bit embarrassed by the overwhelming flattery.

"Link, you should thank me. Other directors could not have achieved this quality," Director Woody Allen said expressionlessly.

Link smiled lightly, knowing he should thank Woody Allen for being portrayed so handsomely, but the person he should thank even more was himself.

Initially, the male lead was designed to be shabby, with loose clothes and messy hair, talking to himself incessantly, a character devoid of charm.

It was Link's insistence that transformed the character into a handsome and slightly melancholic young man brimming with literary talent—the image now on screen.

If the film had been shot according to Director Allen's original concept, it would not have received so much praise upon release.

This movie might become one of Link's signature works on screen.

"But don't get too excited yet. You were called a 'vase actor' in 'Bridesmaids'. After this film is released, you'll be one step closer to being the quintessential 'vase actor,' distancing you further from being an Oscar Best Actor. I can almost call you the man furthest from the Oscar Best Actor, without a doubt," Woody Allen lamented.

Link thought about it and realized he was indeed getting further from the Oscars.

Firstly, being too handsome, too young, too wealthy, and too famous were all detractions in the Oscars voting process, then playing a superhero cost him more points.

Thirdly, being the boss of Hollywood's eighth largest film production company, fourthly, being a cross-industry personality, and fifthly, now being labeled a male 'vase' actor, like the treatment of young Leonardo DiCaprio.

It seemed he ticked all the boxes for deductions.

"No worries, I'm already at the bottom, there's no further down I can go. From now on, every step I take is forward," Link said with a light laugh.

Director Allen glanced at him, and the corner of his mouth twitched.

While others strove for the Oscars by getting closer and trying to earn points, he distanced himself further, stepping into every pitfall along the way. Such a guy, even living for a hundred years, would never get an Oscar statuette.

"Oh, Link is so charming."

"Link is very suitable for art films."

"Yes, an incredibly nuanced performance."

In the film, the scene showed Link strolling by the Seine River at midnight in Paris, hands in his pockets, with his disheveled yet stylish hair, a sharp profile, and clean, deep eyes, all the while a wisp of melancholic air lingered in his brows.

This made many female viewers in the audience exclaim 'God of men,' while film critics on site esteemed Link's acting and lavishly praised his performance.

Applause!

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